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This time he has amassed old friends owen WilsonAndjason schwartzman, along with adrien Brody, to play estranged brothers who bicker while barreling across india on a train, supposedly on a spiritual journey.They haven't spoken since their father's funeral a year agoAndtheir mother(Anderson regular anjelica huston)Has abandoned them to become a nun in the himalayas.But the brothers whitman, like the film itself, end up running all over the place without ever going anywhere.As in"The royal tenenbaums"And"The life aquatic with steve zissou," Anderson seems more concerned with precious minutiae the quirky, kitschy clutter surrounding his eccentric characters, all of which he shoots head on in wide angle than with developing peopleAndscenarios that feel even vaguely real. (Anderson wrote the script with SchwartzmanAndRoman Coppola. )The bittersweet heart of 1998's"Rushmore" has long since left Anderson's moviesAndall that's left is a heart shaped box, one that's obsessively detailedAndexquisitely ornate not unlike the one of a kind luggage set the brothers schlep around, which Marc Jacobs designed for Louis Vuitton especially for the film. The suitcases literallyAndfiguratively function as baggage for the Whitman brothersAndhow cute is that?Pieces they inherited from their father which have become emblematic of their years of pent up resentments. Now as grown men, the three can agree on the need for cigarettesAndcheap, over the counter Indian painkillersAndthat's about it.Francis(Wilson), the eldest, has organized this tripAndmeticulously planned every minute of it to include time for both bondingAndsightseeing. To make sure they keep to the schedule, he's brought along his personal assistant, who prints outAndlaminates each day's agendas (because he's traveling with a printerAndlaminating machine, naturally), all of which seems like a tactic to avoid dealing with the motorcycle crash that's left him injuredAndmay not have been an accident after all. (The sight of Wilson with his faceAndhead covered in bandages, his blue eyes swollen with bruisesAndtinged with sadness, is an uncomfortable, unfortunate reminder of the likable actor's recent real life emotional troubles. )Peter(Brody), in classic middle child style, seeks to draw attention to himself by wearing his deceased father's sunglassesAndinsisting he was always the favorite son.In mere weeks, he's also about to become a father for the first time himself with the wife he's pretty sure he'll end up divorcing someday anyway a woman whom he inexplicably didn't bother to inform he was going on vacation to india.Jack can afford expensive, tailored suits but he wears no shoes.He's also selective in the songs he plays from his ipod to accentuate particular moments, yet he has an impulsive bathroom romp with a sultry train attendant(Amara karan)Before he even knows her name. All these people are quirky constructsAndnone of them ever really evolves, even after "The Darjeeling limited"Takes a jarring, ill advised serious turn. They sit side by side in cramped, colorful quarters, complaining in deadpan fashionAndtrying to keep secrets from each louisvuitton.co.uk shop online other. Every once in a while they get off the trainAndvisit a marketplace, which is packed with different kinds of stuff (Slippers, snakes, electronics). But all that stuff, however distractingAndobvious it is as a device, clearly required a ton of work, for which production designer Mark Friedberg deserves praise. (Longtime anderson collaborator robert yeoman returns as cinematographer. )Andevery once in a while "The Darjeeling limited"Does have some lovely moments of subtlety: Peterrunning to catch the train in slow motion (Always a favorite anderson trick), or the brothers sitting around a campfire in the desert with Debussy's"Clair de lune"Playing in the background, wondering whether they'd have been friends if they weren't related.More intriguing than anything we see in"Darjeeling," though, is the short film that precedes it, starring SchwartzmanAndNatalie Portman, which takes place in a Paris hotel roomAndincludes some details that become factors later.The two play former lovers reuniting awkwardly for the first time. Of course it contains all of Anderson's self conscious visual flourishes but there's also a delicacyAndintimacy about it,Anda pathetic sweetness in Schwartzman's forced bravado, that make it instantly accessibleAndrecognizable.But you won't see"Hotel chevalier,"As it's called, in theaters.It's only playing before"Darjeeling" at film festivalsAndon DVD Anderson wants you to seek it out for yourself on the Internet beforehand.Andthat's not nearly as clever as he thinks it is, either.

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